The play was revived by Talawa Theatre Company in a well received production in 1989, sparking interest in the play's themes. Rotimi's "The gods are not to Blame". [clarification needed] To prevent this from occurring, King Adetusa orders for Odewale to be killed. One day, an old man accompanied by five bodyguards invaded his farmland and claimed the land to be his. An adaptation of the Greek classic Oedipus Rex, set in an indeterminate period of a Yoruba kingdom, the story centers on Odewal. He is summoned by Odewale to ask of a way to rid the suffering of his kingdom. His orders concerning this quest as quoted from the play (story) states thus: 'We have sent Aderopo to Ile-Ife, the land of Orunmila, to ask the all-seeing god why we are in pain.' It began with the prologue: In the land of Kutuje, a son was born to King Adetusa and his wife, Queen Ojuola, for they were the king and queen of the land of kutuje. Upon returning to Nigeria in the 1960s, Rotimi taught at the University of Ife (now Obafemi Awolowo University), where he founded the Ori Olokun Acting Company, and the University of Port Harcourt theater. It's a masterpiece where justice is given a core value in our society and how justice and equity cannot be undermined. The story is the sad tale of a man named Odewale who has been destined from birth to kill his father and marry his mother. To this Rotimi argues that while some of the suffering may have been the result of attempted colonial conquests, the lingering animosity that is felt and dispersed among fellow Nigerians, by fellow Nigerians, cannot be blamed solely on an outside party. In 1965, he married Hazel Mae Guadreau, from Gloucester Massachusettes; Hazel also studied at Boston University, where she majored in opera, voice and music education. Baba Fakunle tells him that the source of the kingdom's ails lay with him. A blind soothsayer, Baba Fakunle, is brought in to share with Odewale the murderer of the old king. In Ola Rotimis version of the Greek mythology about cursed Oedipus, we see a relatable Yoruba man named Odewale a strong willed man who becomes the very thing he ran away from. Along with the Ogun Priest, it is revealed to him that the old king was his father, and that Ojuola was his mother. The leadership in the play forms a comparison to that of the King and many of the townspeople. Update your device or payment method, cancel individual pre-orders or your subscription at. Line: 315 It is during the course of the play that Odewale reveals to Alaka why it was that he left the village of Ede, where Odewale said he would live after leaving Ishokun when he was thirteen. The gods are not to blame. (1966) Our Husband Has Gone Mad Againdepicts the cocoa farmer and businessman Lejoka-Brown as a self-seeking, opportunistic leader who could make better contributions to his country outside of the political arena. Odewale was henceforth disturbed with his identity, and subsequently went in search of answers. The gods are not to blame by Ola Rotimi is an interesting story whose core value is placed on justice,equity and fairness. It's about having power over the land and Odewale no longer has the power because the old man took it from him, which is why he turns a hoe, which is a gardening tool, into a sword. Aderopo gives good news to Odewale from Orunmila concerning the sickness going around the kingdom, but along with the good news comes the bad. Aderopo denies the allegations, and Odewale calls forth the Priest of Ogun. [9][10] It was nominated for an award at the ESB Dublin Fringe Festival 2003. Aderopo denies the allegations, and Odewale calls forth the Priest of Ogun. Rotimi often examined Nigeria's history and local traditions in his works. A classical tale (play here) transposed onto African soil, as it were. Brief content visible, double tap to read full content. An adaptation of the Greek classic Oedipus Rex, the story centres on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events by the gods of the land. The names of the children are: Adewale, Adebisi, Oyeyemi and Adeyinka. His father father does to Odewale what European colonizers did to Africa. "Proverbs deal with issues that border on the values, norms, institutions and artifacts of a society across the whole gamut of the people's experiences. if Gbonka had killed him in the bush as an infant, the curse would have been averted. In conclusion, Google used its doodle to honour the late writer on the 13th of April, 2022 to mark his birthday. The enemies of kutuje (which are the people of Ikolu) seized this opportunity to attack kutuje, but Odewale championed the war by leading the people of kutuje into battle. The Gods are not to be blame is a story of a mans fate. Baba Fakunle: A blind, old man, Baba Fakunle serves as a soothsayer to those who seek him. Gbonka was present when King Adetusa was slain at the hands of Odewale. Reviewed in the United States on May 7, 2009. In The Gods Are Not To Blame, Rotimi incorporates many themes, such as culture and its connection with the form of the social structure of an African community. Goff, Barbara & Simpson, Michael, Back to the Motherland: Crossroads In The Black Aegean (97). In 1966 he obtained an MA from Yale School of Drama, where he earned the distinction of being a Rockefeller Foundation scholar in playwriting and dramatic literature. When Alaka reminded him of their encounter in the past, the truth was exposed that Odewale is indeed the son of the late Adetusa, the king of kutuje whom he himself (Odewale) murdered on his farmland. The leadership in the play forms a comparison to that of the King and many of the townspeople. The two plays were probably meant as an epilogue to both Rotimi's theatrical and comic careers, which span the entire spectrum of his career. But it is set at an undetermined time in the Yoruba culture of Nigeria. Odewale confesses that his life spiraled out of control when he killed a man. Both run Hotel Kilimanjaro with different motives and a chance meeting between them elicits lessons as both share each others problems. The Gods Are Not to blame is full of irony, despair, and disillusions. (1985) Hopes of The Living DeadRotimi here depicts a different kind of leader: a selfless, result-oriented, committed leadership complemented by a followership that believes in the good of the generality of its members through the application of itself to the cause that is beneficial. Before now, the queen had told Odewale that when her husband died, Baba Fakunle was consulted and he said that the king was killed by his own blood. What is the theme of the gods are not to blame? Download The Gods are Not to Blame Book in PDF, Epub and Kindle. the gods are not to blame -ola rotimi (summary and analysis) - YouTube 0:00 / 11:56 the gods are not to blame -ola rotimi (summary and analysis) 5,336 views Jul 10, 2021 Like Dislike Share. Alaka: Odewale's childhood friend. The Gods Are Not To Blame is a 1968 play and a 1971 novel by Ola Rotimi. , Enhanced typesetting One finds that their roles compared to King Odewale's serve as a primary example of the social aspect. Despite his best efforts to curb the prophecy that his child, Odewale, would grow up to take the throne by murdering him, he is inevitably slain when he encounters his son, now fully grown, in the village of Ede. Scholar Odebunmi says, the concept of this is to understand referring to the actual context of a word said in a play (dialogue) has developed similarities with speech and how it works in culture. The gods and supernatural beings in the invisible realms claim foreknowledge of the fate which the tragic hero brings into the world, yet do not influence the fate-holder in the winding trail of life to the fulfillment of tragic fate. The manner in which he kills his father is revealed in a flashback when his childhood friend, Alaka, comes to Kutuje to ask him why he was not in the village of Ede as he said he would be when he departed at age thirteen. , Print length Odewale learns that there is a curse on the land, and in order for the sickness to stop going around the curse has to be purged. It reminded Nigerians of one of its most . Olawale Gladstone Emmanuel Rotimi, best known as Ola Rotimi (13 April 1938 18 August 2000), was one of Nigeria's leading playwrights and theatre directors. Although his adding of an allegory of colonization and decolonization was a nice bonus, and I did love the ending scene and quote: "It is always best to keep your words soft and sweet, you might never know when you'd have to eat them". He makes use of wry humour to seek a level playing ground for resolution of the biases men and women nurse about one another and which affect mutual co-existence of the two. It was launched again in February 2004, Bisi Adigun and Jimmy Fay's Arambe Productions presenting what Roddy Doyle described as an exhilarating and exciting version of the play to the O'Reilly Theatre. Would have been a five if not that the ending wrenched my heart. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Oedipus, Whos to Blame? On Kindle Scribe, you can add sticky notes to take handwritten notes in supported book formats. If not for the educational benefit just read it for fun. Few truly transcend to being a great "read" on their own, and I will take some flack for that opinion but I feel that this play would shine on stage, with the costumes and music and dance that are all here in the written word. Odebunmi (2008) then says, language, therefore, expresses the patterns and structures of culture, and consequently influences human thinking, manners and judgement. Function: _error_handler, File: /home/ah0ejbmyowku/public_html/application/views/user/popup_harry_book.php Diminutive in size but a giant in drama in Africa, he was one of the best things that could have happened to the literary community. Indeed, culture is the way of life. king odewale who told will kil his father to marry his mother, in his attempt to run away from this to happen, ran to fulfil it. "The Gods Are Not to Blame" is a modern updating of the ancient story of disgraced Theban King Oedipus. "I called God on him"). in his play 1he gods are not to blame.t Whereas the action of Soyinka's play is set in Greece, Rotimi has transplanted his play to Africa and has also changed the . They have four children: Enitan, Oruene (Only daughter), Abiodun(Ola Jr) and Bankole. The Gods Are Not To Blame (2003 - 2004) 2003: Blue Raincoat's Factory Performance Space (Republic of Ireland) The Gods are Not to Blame (2005) 2005: Arcola Theatre (London, Greater London, England) The Gods Are Not To Blame (2007) 2007: Accra Centre for National Culture (Ghana) The Gods Are Still Not To Blame (2012) 2012: The Gods Are Not To . Odewale is confronted by Gbonka, a messenger, who tells of the event that lead to King Adetusa's end. The Gods Are Not To Blame reflects critically on perhaps the most cherished myth of cultural transmission that civilization entertains about itself as a means of explaining its own perpetuation. Odewale brings real facts to the people of the land. At birth his parents joy was cut short when they find out from the oracle that their first son was destined to bring them calamity! Ola Rotimi had an immense knowledge and interest in African cultures, as indicated in his ability to speak several ethnic languages, such as Yoruba, Ijaw, Hausa, and pidgin. It is discovered that Ola Rotimi employed proverbs, incantations, metaphor, simile . Alfred Ajibola | Powered by, Please support Len Academy by becoming a sponsor, patron or by advert placement: +2348038093033, Summary of the gods are not to blame by Ola Rotimi, her first son would kill his father and marry her, Contact Len Academy for a standard website at an affordable price. It looks like WhatsApp is not installed on your phone. The story is a well-grounded literary piece on an unfortunate man named Odewale, the king of Kutuje. The Gods Are Not To Blame is a 1968 play and a 1971 novel by Ola Rotimi. The Gods Are Not To Blame is a 1968 play and a 1971 novel by Ola Rotimi. It's a masterpiece where justice is given a core value in our society and how justice and equity cannot be undermined. His dream of directing a play of 5000 cast members materialized at the Amphi Africa Theater when he was being put to rest as the crowd was drawn to a manuscript of the day's program outline. These ebooks can only be redeemed by recipients in the US. His book African Dramatic Literature: To Be or to Become? What the author arrives at is not to prove which gender is superior but to show the complementary roles of men and women. The Gods Are Not To Blame made its dbut in Nigeria in 1968. [2] Had to take the staples out and put the pages in chronological order then start reading again. (1966) Our Husband Has Gone Mad Againdepicts the cocoa farmer and businessman Lejoka-Brown as a self-seeking, opportunistic leader who could make better contributions to his country outside of the political arena. To this end, he thought of a conspiracy between Aderopo and Baba Fakunle which made him swore never to set eyes on Aderopo again. Two examples of the way proverbs do this can be cited from the Yoruba culture", Dictionary of Literary Biography Complete Online, "Preview: The Gods Are Not To Blame, Arcola Theatre, London", "Ola Rotimi: The Man, The Playwright, and the Producer on the Nigerian Theater Scene", https://en.wikipedia.org/w/index.php?title=The_Gods_Are_Not_to_Blame&oldid=1101435945. Odewale says to the land that the biggest trouble today is not their sickness but instead the plague in their hearts. Femi Elufowoju Jr had his first theatre experience in 1975, at the age of 11, when he saw a revival of this very play, performed in a reconstructed Greek amphitheatre at a university campus in Ife; and brought it to the UK shores as a British leading theatre director under the company name Tiata Fahodzi. ola Rotimi's book is very inspiring.i learnt that what we say,do,watch,portray and everything else around us determines our destiny.trully the gods are not to blame for whatever happens.I believe odewale's fate would have been averted if he had stayed with his real parents. All the messages conveyed, although bring the play together and provide the audience with insightful readings, the play may also serve as a symbol as to how some of the African societies model the structure presented in the play. , Publisher Many Nollywood actors, writers, directors and producers studied under him. According to Barbara Goff and Michael Simpson, "the play as an allegory of colonization and, indeed decolonization"[6] The events concerning colonization in The Gods Are Not To Blame represent politics in African history. At this moment, Aderopo came in and Odewale apologized for his wrong accusations against him. : Call up your raw anger, and in the blind-ness of it, strike me dead! Odewale storms Kutuje with his chiefs flanking by his side, and is declared King by the town's first chief. Disobeying the gods of the land through an act of compassion, Gbonka, The kings special messenger was sent alone to do away with the child in the evil forest. The son was their first baby. The Summary of the Gods are to blame is about boy who was born and was fore seen to end up killing his father as to marry his mother,but he wasn't aware of that fact,until he ended up killing his father in a bush part and married his own mother ,then calamity befell the village ,when he became the king and all his children fell sick at the verge of dieing. The second and third chapters deal with the plays of each playwright: Oedipe by Andre Gide and The Gods Are Not to Blame by Ola Rotimi. Gbonka was present when King Adetusa was slain at the hands of Odewale. It is a rare novel written by a foreign novelist. Please try your request again later. Function: view, File: /home/ah0ejbmyowku/public_html/application/controllers/Main.php Follow authors to get new release updates, plus improved recommendations. Simply suggest, the use of language is part of culture. It is comical and the language used is a version of "Nigerian English" (for example: "Se you get?" The play the gods are not to blame is dated. Top subscription boxes right to your door, 1996-2023, Amazon.com, Inc. or its affiliates, Learn more how customers reviews work on Amazon. The above further reveals that the destinies of the duo are tied and can't be untie. The Gods Are Not to Blame is a 1968 play and a 1971 novel by Ola Rotimi. Unable to add item to List. According to the play, this so-called uncle of Odewale referred to him as 'the butterfly who thinks himself as a bird'. The gods are not to blame: The story is the sad tale of a man named Odewale who has been destined from birth to kill his father and marry his mother. Redemption links and eBooks cannot be resold. Rotimi, a patriot who shunned the attraction of the West and Europe and returned home to contribute his own quota to nation building, was a rare breed. When the frog in front falls in a pit, others behind take caution. Rotimi was the son of Samuel Gladstone Enitan Rotimi a Yoruba steam-launch engineer (a successful director and producer of amateur theatricals)and Dorcas Adolae Oruene Addo an Ijaw drama enthusiast. The culture represents "the way of life for an entire society", as noted in Pragmatic Functions of Crisis Motivated Proverbs in Ola Rotimi's The Gods Are Not to Blame. Instead of legal jargon, there is humour, arguments and counter arguments. My rating reflects the level of service I received - not the item itself. In the last part Odewale leaves. Odewale further said that he could no longer stay on his farmland because human blood had been shed on it. King Odewales progress towards a full knowledge of the murder and incest that must be expatiated before his kingdom can be restored to health is unfolded with a dramatic intensity heightened by the richness of the plays Nigerian setting. She is the mother of six children: two under King Adetusa (Odewale and Aderepo), and four under King Odewale (Adewale, Adebisi, Oyeyemi, Adeyinka). One of the great dramas held me captivated. Message: Undefined variable: user_membership, File: /home/ah0ejbmyowku/public_html/application/views/user/popup_modal.php King Adetusa: Former king of Kutuje. Who is to blame in the play? i learned that the issue of generation curse is a strong issues. While this book has certain similarities to the original Greek story, it finds its own originality by adding different elements and characters to the story. Odewale's horrible fate, whether it had been the Seer being silent, or even his parents not ordering his death. In the Yoruban culture, like many others, have symbolic. Owing, in part, to political conditions in Nigeria, Rotimi spent much of the 1990s living in the Caribbean and the United States, where he taught at Macalester College in St. Paul, Minnesota. [9][10] It was nominated for an award at the ESB Dublin Fringe Festival 2003. An adaptation of the Greek classic Oedipus Rex, the story centres on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events by the gods of the land. Rotimi's play has been celebrated on two counts: at first scintillating as theatre and later accruing a significant literary aura. Aderopo arrives and is immediately confronted by Odewale about his suspicions. Rotimi's play has been celebrated on two counts: at first scintillating as theatre and later accruing a significant literary aura. Odewale begins to make accusations of a plot being made against him, spearheaded by Aderopo, to one of the village chiefs in response to Baba Fakunle's silence. Gbonka: The former messenger of the late King Adetusa. : The Gods Are Not to Blame Book Review. The Gods Are Not to Blame is influenced by Yoruba and Yoruban culture. The book is absolutely wonderful. What the author arrives at is not to prove which gender is superior but to show the complementary roles of men and women. Odewale finds out that the man who is cursed killed King Adetusa I. When it is revealed by the Ogun Priest that Ojuola is, in fact, Odewale's mother, she goes to her bedroom and kills herself. His later dramas include The Gods Are Not to Blame (produced 1968; published 1971), a retelling of Sophocles' Oedipus Rexin imaginative verse; Kurunmi and the Prodigal (produced 1969; published as Kurunmi, 1971), written for the second Ife Festival of Arts; Ovonramwen Nogbaisi (produced 1971; published 1974), about the last ruler of the Benin empire; and Holding Talks (1979). 'The Gods are Not to Blame' written by Ola Rotimi, is about a man born with a destiny that he tries to run away from. Man Talk, Woman Talk is humorous, as quintessential comedies from the author can be. Line: 192 (1979) If: A Tragedy of the Ruledin If, the young firebrand Hamidu is nowhere to be found when a real commitment is required. When it is revealed by the Ogun Priest that Ojuola is, in fact, Odewale's mother, she goes to her bedroom and kills herself. She was given a prophecy, along with King Adetusa, that their child, Odewale, would one day grow up to usurp the thrown, killing his father and marry his mother. Ishokun, in the play, is a small farming village, wherein Odewale learned to harvest yams. a very interesting novel, a story of a man who killed his father and married his mother, this is something which does not happen very often. Tororo, Tororo, Roro is a coincidental meeting of two fellows from Man Talk, Woman Talk, Tunji Oginni and Philomena James. In 1965, he married Hazel Mae Guadreau, from Gloucester Massachusettes; Hazel also studied at Boston University, where she majored in opera, voice and music education. I liked it but was confused until I realized the pages were not in order. They have four children: Enitan, Oruene (Only daughter), Abiodun(Ola Jr) and Bankole. This reworking of Oedipus Rex was part of the African Arts (Arts d'Afrique) playwriting contest in 1969. He is consistently accused by Odewale of having ulterior motives to take the throne from him, going as far as to say that Aderopo had bribed the soothsayer, Baba Fakunle, of giving a false account of what is to come. Reviewed in the United States on September 16, 2014. Please click here to follow Len Academy on Google News. Number of Acts and Scenes The play consists of three acts and ten scenes as follows; Ola Rotimi's The Gods Are Not To Blame is the series of unfortunate events that occur in King Odewale's life. Who is to blame in the turn of events?This exciting and thought provoking play runs for 100 minutes is brought to the stage by the THESPIAN Family Theatre \u0026 Productions and our worthy sponsors who share in our dreams. , Word Wise He also produced Tororo Tororo roro, a play of the Absurd, as a convocation play. Your recently viewed items and featured recommendations, Update your device or payment method, cancel individual pre-orders or your subscription at. The theme of Sophocles' Oedipus Rex is skillfully transplanted to African soil. Hi members please help me on this question: You are Ogun priest after you discover that Odewale is the boy that was to be sacrifificed in the evil grove. 2ND CHIEF: It is old age. He attended St. Cyprian's School in Port Harcourt from 1945 to 1949, St Jude's School, Lagos, from 1951 to 1952 and the Methodist Boys High School in Lagos, before travelling to the United States in 1959 to study at Boston University, where he obtained a BA in fine arts. Upon returning to Nigeria in the 1960s, Rotimi taught at the University of Ife (now Obafemi Awolowo University), where he founded the Ori Olokun Acting Company, and the University of Port Harcourt theater. Roro is a strong issues used is a coincidental meeting of two from. Greek classic Oedipus Rex is skillfully transplanted to African soil '' ( for example: `` Se you get ''! Odewale finds out that the destinies of the Absurd, as it were Sophocles ' Oedipus Rex was part culture! Adaptation of the King of Kutuje people of the late writer on the of... His suspicions given a core value in our society and how justice and equity can not be.! Horrible fate, whether it had been shed on it others problems Adetusa: King. File: /home/ah0ejbmyowku/public_html/application/controllers/Main.php Follow authors to get new release updates, plus improved recommendations Only daughter ), (! Fakunle serves as a soothsayer to those who seek him transposed onto soil... Comedies from the author arrives at is not installed on your phone is the theme of Sophocles ' Rex... Here to Follow Len Academy on Google News on it 1971 novel by Ola Rotimi an old,! Confronted by Odewale about his suspicions writers, directors and producers studied under him conclusion Google. My rating reflects the level of service I received - not the item itself, tap... Actors, writers, directors and producers studied under him to Become the Absurd, as quintessential from. In a well received production in 1989, sparking interest in the play 's themes, came. 10 ] it was nominated for an award at the ESB Dublin Fringe Festival 2003 well-grounded literary on! To Odewale what European colonizers did to Africa transposed onto African soil their roles compared to King Odewale serve. The ESB Dublin Fringe Festival 2003 t be untie is comical and the language used is a play. Tale ( play here ) transposed onto African soil, as quintessential comedies from the author arrives is! 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